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Showing posts with label India. Show all posts
Showing posts with label India. Show all posts

Woodwalk / Vir.Mueller Architects

© Courtesy of Vir.Mueller Architects

Architect: Vir.Mueller Architects
Location: Kotla Market, New Delhi, India
Partners in Charge: Christine Mueller, Pankaj Vir Gupta
Project Managers: Harshvardhan Jain, Kai Pedersen
Project Team: Saurabh Jain, Sarah Gill, Everett Hollander
Carpentry Supervisor: Ghanshyam Sharma
Project Area: 920 sq ft
Design Year: 2009
Construction Year: 2010
Photographs: Courtesy of Vir.Mueller Architects




The client purchased a space (13’-6” wide and 60’ long) in a building on the busy Kotla hardware market street in Delhi and asked vir.mueller architects to create an interior installation within the space, that might enable people to imagine the many possibilities and phenomena associated with the character of a timber interior.

Given a tight budget (approximately US$ 30,000 for the complete project including new electrical/plumbing/hvac etc.), we decided to design the installation using the hundreds of strips of scrap Ipe and Purple Heart that had been left over from his years of installing floors and decks. In the Indian spirit of frugality, he had been saving these in a storage shed.

exploded axo

© Courtesy of Vir.Mueller Architects

The empty space had no plumb walls so we decided to create an independent structure by laminating lengths of the Purple Heart lumber on site to create primary frames – these were erected like a tent structure, with galvanized steel bolts. The structure has been designed so that it can easily be disassembled.

It serves as the armature for nailing strips of Ipe and Purple Heart, creating an undulating wall and ceiling.The pleated surface was designed so as to minimize any racking of the structure – we could not afford any consultants on this project so we “approximated” the structural, mechanical and electrical layouts for the space.

Our entire design and installation has been based on the dimension of the scrap strips (approximately 1” wide x ¼” thick and varying in length from 6 feet – 10 feet). Each strip was slightly different from every other in width / thickness so we decided to laminate them on commercial plywood to create sliding doors and panels for storage along the walls.

© Courtesy of Vir.Mueller Architects

The client was quite supportive of the idea to create a “blank space” as a counterpoint to the chaos of Kotla – the busy Delhi bazaar street outside. He also embraced the design argument that the interior space – entirely free of any furniture – should be available for people to host an exhibit, a reading, a recital or a children’s drawing class. In this way, a greater Delhi audience might learn to appreciate the tactile quality of a wood chamber.

South Asian Human Rights Documentation Centre / Anagram Architects


© Courtesy of Anagram Architects

Architects: Anagram Architects
Location: New Delhi, India
Design Team: Vaibhav Dimri & Madhav Raman
Client: South Asian Human Rights Documentation Centre
Site Area: 50 sqm
Project Area: 172 sqm
Project Year: 2005
Photographs: Courtesy of Anagram Architects


South Asian Human Rights Documentation Centre (SAHRDC) is a non-governmental organisation which seeks to investigate, document and disseminate information about human rights. A small office with limited resources, the SAHRDC also runs an internship programme attracting scholars from universities in India and abroad. It required an office to be made on a 50 sqm plot emphasising spatial efficiency and cost effective construction.

Design Generators

STREET CORNER
The site is at a busy street corner with essentially pedestrian traffic. As the site is not very large, the acoustic and visual intrusion of the street activity into work spaces was a key concern.


site plan

CONSTRAINTS OF SPACE AND COSTS
The method of construction adopted had to optimize the space available on site and a modest budget.

SOLAR THERMAL GAIN
The orientation of the site is such that the longer 10m side is exposed to direct sun throughout the day. Reducing the resulting solar thermal gain was an important design generator.


© Courtesy of Anagram Architects

Design response

ENGAGING THE STREET 

Although some fortification against the street was required, it was crucial for the façade “converse” with the external activity. The external wall is conceived as an animated, dynamic skin reflecting the bustle of the street and activating what would otherwise have been a mundane façade with minimal fenestrations. The porosity of the wall maintains a degree of privacy while playfully engaging with the street corner.

SPACE AND COST OPTIMISATION: 

Efficient Space utilisation is achieved by creating a single consolidated volume on each floor to be flexibly partitioned as per the client’s requirements. This volume is serviced by a flanking buffer bay of a single flight cantilevered staircase and a toilet stack. Costs were minimised by using exposed brick construction and by creating a beamless soffit at every floor.

To create a beamless soffit without increasing the thickness of the slab, a gently vaulting roof was designed. Lateral inverted beams were introduced and flooring laid onto an infill so that each floor plate insulated eliminating the need for a false ceiling.


ground floor plan



© Courtesy of Anagram Architects

BREATHING THERMAL BARRIER:

This buffer bay forms a breathing thermal barrier along the sun facing side. By situating the staircase and toilet stack in this bay, the internal workspaces are protected. The porosity of the wall ensures that the buffer bay is well ventilated and yet shaded so as to reduce the amount of heat transmitted to the workspaces. A single repeating brick module creates a visually complex pattern in the manner of traditional South Asian brise soleils.

The construction of the wall:

A six brick module is laid in staggered courses that create twirling vertical stacks and an undulating surface. The construction of the screen wall was a result of a five-week process devising masonry techniques on site. From verification of plumbline to the structural bonding of the brick courses, methods of brick laying were devised through a deep on-site collaboration between the masons and the architects.


© Courtesy of Anagram Architects


brick wall detail 02

There were four objectives that the construction of the screen wall was attempting to achieve:
High level of porosity in the central portion of the wall.

Effective horizontal bonding and load distribution between the bricks.
No visible intrusion of any material other than brick masonry onto the façade.
The repeating pattern modules must be complete end to end over the entire width and height of the wall i.e. there should be no deviation in the pattern.

Through computer modeling, the architects realized that a simple rotating module of bricks would create the kind of visual and textural complexity need to achieve the design objective of engaging the street corner.


© Courtesy of Anagram Architects

To begin with a six brick module of bricks on edge was devised for the construction of the wall. This was so that the module would cubic in shape and therefore directionally inert. Bricks were laid on edge so that the voids created by missing bricks would substantially contribute to the porosity in the central portion.

But using a 6 brick module created to very basic masonry concerns:

For proper alignment (prevention of corbelling), all the centres of the modules in a vertical stack had to fall on one perfectly vertical axis around which the module would rotate. This was difficult to estimate accurately on site during bricklaying (owing to human errors).

The other issue was verification of plumbness of every course. Dropping an accurate plumb line from one course to the next was not feasible since the brick faces were not in the same plane.

A single vertical stack was built and rebuilt five times on site with both the architects and the masons trying to co-strategise on a simple and practical brick laying technique that could be replicated by the various masonry teams without relying heavily on the individual skills of a master mason.


© Courtesy of Anagram Architects

The floor slabs were cast at floor-to-floor heights of 3180 mm. This was distributed over two sets of continuously repeating 6 module course patterns so that the 1st, 7th and 13th course are the same. A set of 6 individual course drawings were prepared in studio and the angle of rotation between them calculated. From these, sets of triangular wooden wedges were made and distributed amongst the masonry teams. They were used by the bricklayers to verify the orientation of the bricks while laying them.

The horizontal interlocking between modules essentially happens through the cross-stack overlapping of the central bricks in the modules. In the porous central portion of the façade, brickwork is reinforced horizontally by a laying a thin section (95mm X 125 mm) reinforced cement concrete beam along the cavity created by the missing central brick.



 
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